Soft Cell: *Happiness Not Included review – synth-pop elders with an eye on the future | Pop and rock

Soft Cell: *Happiness Not Included album cover art.

Soft Cell: *Happiness Not Included album cover Forty-one years since their debut album, Non-Stop Erotic Cabaret, and 20 since their last album, 2002’s underwhelming Cruelty Without Beauty, Soft Cell return with an album that makes […]

Spiritualized review – Jason Pierce twists a simple idea into elegant new shapes | Spiritualized

Spiritualized in concert at the Brighton Dome.

It says something about Spiritualized’s latest album, Everything Was Beautiful, that even with nine musicians onstage, their live incarnation very much performs a bare-bones version of its contents. Frontman Jason Pierce more-or-less set out his […]

Jörg Thomasius: Acht Gesänge der schwarzen Hunde review – groundbreaking electronics from East Germany | Music

Jörg Thomasius: Acht Gesänge Der Schwarzen Hunde album cover art

Cassette culture may now seem like some quaint hipster affectation but, for a generation growing up in East Germany in the years before the fall of the Berlin Wall, it was the prime medium for […]

Let’s Eat Grandma: Two Ribbons review – an unforgettably powerful study of friendship | Music

The artwork for Two Ribbons.

There’s an instructive comparison to be made between the title of Let’s Eat Grandma’s third album and that of their debut. Released in 2016, the latter was called I, Gemini, which seemed to fit perfectly. […]

Review: ‘Horizons: A 21st Century Space Odyssey’ is a fascinating live experience by Professor Brian Cox 

Professor Brian Cox

Professor Brian Cox, CBE. Photo Credit: Mark Harrison On April 26, “Horizons: A 21st Century Space Odyssey,” starring Professor Brian Cox, CBE, was fascinating and exhilarating. It took place at the iconic Beacon Theatre in […]

Fontaines DC review – ire, tenderness and very good moshpit | Fontaines DC

Up close with Grian Chatten at EartH, London.

Clad in a Scarface T-shirt, slick with sweat, Fontaines DC singer Grian Chatten slams his microphone stand down on the stage repeatedly, as though punishing the floor beneath him. The stage, however, is blameless. Formed […]

Othmar Schoeck: Elegie review – a cycle bound by quiet melancholy | Classical music

Schoeck: Elegie album cover artwork

Othmar Schoeck’s song cycles, some with piano, others with instrumental ensemble or full orchestra, represent one of the last great flowerings of the romantic lieder tradition. Outside his native Switzerland at least, his music is […]