As Fabiola Guajardo steps onto our interview set, she radiates the effortless confidence of a star on the cusp of a defining moment. Born in Monterrey, Nuevo León, she first captured public attention as a beauty queen and model before seamlessly transitioning to acting—a shift that proved to be more than just a career move; it was the beginning of an artistic evolution. Since then, she has captivated audiences in telenovelas, hit series, and even an art-house film that earned her a coveted place at the Venice Film Festival.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Suit: Golden Goose, Jewelry: Pomellato, Shoes: Sam Edelman
Meeting us in the heart of Mexico City’s vibrant Roma neighborhood, the 38-year-old actress effortlessly commands attention. With a presence that’s both magnetic and refined, she owns the moment before a single word is spoken. As stylists add the final touches, her undeniable charisma fills the room.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup and Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Chanel
Guajardo has already established herself as one of the most captivating talents of her generation by sharing the screen with some of the biggest stars in Hispanic television. Now, she is poised for her most significant role yet—stepping into the high-stakes world of La Jefa, Telemundo’s next major hit. As she prepares to embody the powerful ‘Gloria Guzmán,’ she isn’t just taking on a role—she’s making a statement. This performance is set to be a defining chapter in her career, proving that she’s more than ready to lead.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Louis Vuitton
¡HOLA! Américas joins her at this pivotal moment, capturing the essence of her journey, her unwavering passion, and the dedication that continues to propel her forward. Like a true Jefa, she strikes commanding poses in bold power looks, exuding the confidence of a woman who knows her worth. Just before our conversation begins, she shares a glimpse into her mindset—beyond her love for acting, she fiercely protects her dreams, embraces life with unshakable conviction, and welcomes new challenges with open arms.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Louis Vuitton
Talk to us about ‘La Jefa’. How do you feel about this project?
I’m very happy. I feel incredibly lucky to be part of such a highly anticipated project. I was looking for a character like this—one with great strength but also a delicate duality, with an impressive complexity. That was the type of character I had in mind, though I didn’t know it would be Gloria Guzmán. I’m thrilled.
This production also marks your return to Telemundo…
Yes, the project has an outstanding production team. My producer, Mónica Vizzi, is fully dedicated to her work. She is always attentive to all of us and extremely detail-oriented. My directors—Mauricio Corredor, Mauricio Meneses, and Laura Marco—ensure that every character and every detail in La Jefa’s universe is impeccable.
In your pursuit of creating such a complex character, how did you bring Gloria Guzmán to life?
Through an audition. I had just finished a project when I received the invitation. They wanted me to audition for the lead role, but for me, the character’s psychology is crucial. If they tell me the protagonist is something I don’t want to portray, even if the title sounds appealing, I’d rather not do it. I always want to enjoy my projects, to truly immerse myself in them 100%. So, I asked for Gloria Guzmán’s character description and realized she was incredibly interesting.
I did the audition, and two weeks later, they called to tell me I got the role. I canceled everything I had planned because we started working immediately.
In previous conversations, we’ve talked about your deep love for your work and how much you enjoy bringing diverse characters to life. Do you have any self-imposed limits that prevent you from portraying certain personalities or telling certain stories?
I’d be lying if I said yes. I feel that when projects come my way, that’s when I make the decision. It also depends on where I am in my life at that moment. There are things I would have accepted in the past that I might think twice about now. Honestly, I don’t have a definite answer to this because I need to be in the moment to decide what I accept and what I turn down.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Chanel
Is there a role or a story you would love to be a part of?
Yes! For example, I love the psychology behind Natalie Portman’s character in Black Swan. I was an athlete for many years—I used to figure skate. So, the psychology of that character fascinates me. Of course, in Black Swan, it’s about ballet, but with skating, for me, it would be electrifying.
Speaking of that particular character, whose obsession with perfection turns into near psychosis, what draws you to that? Would you say you have a certain degree of perfectionism?
Do you consider it a virtue or a flaw?
In my case, I think it’s a virtue because I haven’t let it become a flaw—but it’s a double-edged sword. From a very young age, the discipline of skating—and a brief time in gymnastics—taught me that imperfection is often perfect.
Over time, I learned to relax, and I’m no longer obsessive about perfection. I used to be extreme, constantly stressed over things that only I noticed.
Once I started taking things more lightly, everything flowed much better. I think reaching that understanding comes with maturity and experience.
And with your craft requiring you to embody different characters, how do you nurture your inner voice? How do you take care of your emotional and mental well-being?
I feel like a lot of things used to affect me that now just roll off my back. I also go to therapy, and it has helped me tremendously since I started. I truly believe mental health is fundamental to living well.
How do you separate your characters’ psychology from your daily life?
In my case, I don’t think I’ve ever taken on traits from my characters. I’ve heard stories of actresses who struggle to leave a role behind, but that hasn’t happened to me.
Of course, after filming, you’re still carrying that energy, but when I get home, I put my phone away, disconnect from everything, light a candle, take a shower, and focus on other things.
That brings us to… What do you do in your free time?
I watch movies, listen to music—I’m a huge music fan—catch up with my lifelong friends. I’m also really into food, so when I have time, like on Sundays, I break from my routine and explore a new restaurant. I spend time with my loved ones, and that’s it—I’m just Fabiola, nothing more.
You leave behind everything that isn’t truly you…
Exactly, it has to be that way. Plus, I have friends who help keep me grounded.
Are they all from Monterrey?
No, not all of them, but most are from the north.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Louis Vuitton
A moment ago, you mentioned your first great love—figure skating. How did you get into that world?
When I was a child, my mom always enrolled me in different activities. I did gymnastics, swimming, and even tried ballet, but I wasn’t fascinated by it—I’m too impatient. I asked when I’d get to wear pointe shoes, and when they told me in four years, I quit.
However in 1998, when Tara Lipinski won the Olympics, I watched her, and it was love at first sight.
I wondered what that sport was—it looked like ballet, but also like gymnastics. It combined so many disciplines, blending strength and grace. That’s how I discovered figure skating. I asked my mom if there was an ice rink nearby and if she could take me. The closest one was about 40 minutes away.
When we went, I swear to God, the very first day I stepped on the ice, I did an arabesque, lunges, and even started jumping—that’s how it all began.
And acting…?
I loved it from a young age, too. I watched movies, telenovelas, and series, and I think I always knew I wanted to do this. I also love singing, so I wanted to pursue a career in entertainment. My parents had other plans for me—they wanted me to get married and live a very traditional life… things didn’t quite turn out that way.
How did you convince them?
I’ve always been very protective of my dreams and very determined—they know that. My mom thought I might change my mind, but I never let their fears take over mine. They were worried about their daughter moving to Mexico City, being on her own, studying who-knows-what. What I can tell you is that they did an incredible job raising my siblings and me. They’ve always trusted me because they know the kind of daughter they have.
They didn’t make it easy for you! [laughs]
Not really! They just asked me to get a degree before fully committing to this career. So, I earned a degree in marketing. Once I had my diploma, I moved to Mexico City to study acting.
And now, how do they celebrate your success?
Today, they’re overjoyed—so proud of me. Like peacocks!
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Total look: Chanel
Speaking of pride, it’s impossible not to mention your presence at some of the world’s top film festivals… How did you experience that phase with Bardo?
It was incredible. I had no idea we were going to attend so many festivals. I went to Venice, Los Angeles, and Morelia, while the team also went to Telluride, San Sebastián, and London. There was even talk about the Oscars. Specifically, when the screening in Venice ended, I knew—without a doubt—that this is what I want to do for the rest of my life.
Did you ever consider sticking only to projects on the scale of Bardo? More indie, arthouse films?
Well, as an actress, you always dream of working on successful projects, and yes, with Bardo, I was lucky to go to Venice and present the film at the Los Angeles Festival. I love acting—it’s what I enjoy the most.
If I were to sit around waiting for another project like that, it could come tomorrow or in many years. So, I keep working with the same passion on every project because, above all, I look for characters that fulfill me.
We’ve talked about family, but what about the one you build on set? You all spend a lot of time together.
As I mentioned earlier, I always want to have a good time in everything I do, and thank God, I’ve been lucky to work with people who love what they do and are on the same wavelength as me. I made a promise to myself that whenever I’m on a project, I’ll do everything I can to ensure that everyone is in a good place, including myself—because I’ve experienced the other side, and it’s not a pleasant environment.
Have you built lasting relationships, or do you prefer to keep it strictly professional and maintain your friendships outside of work?
It depends—it’s not about what I prefer, rather what naturally happens. I’ve formed some wonderful relationships, but they’ve happened organically, not because I was looking for them.
Of the people who have remained in your life, is there someone you feel you’ve learned the most from in your journey as an actress?
Yes… since I started working with Azela Robinson, she practically adopted me as her daughter, and I adopted her as a second mother. In fact, she gets along perfectly with my mom—they adore each other. She has that strong, no-nonsense northern personality, so we connected right away and had chemistry from our very first scene together.
Photography: Pepe Molina | Stylist: Danilo Salazar | Makeup & Hair: Carlos Morales – Gerardo Lanuza | Photos Courtesy of Telemundo | Suit: Golden Goose, Jewelry: Pomellato, Shoes: Sam Edelman
What’s the most valuable advice you’ve received from her?
I’ve always been very disciplined, but from her, I learned that every scene—no matter how insignificant it might seem—is important and contributes to the story’s flow. So, it’s crucial never to downplay a single moment in your character’s journey.
Your work has taken you beyond borders, and now you’re about to premiere a new project in Spain. Tell me about it…
The movie is called Bajo un volcán, directed by Martín Cuervo, and I star alongside William Levy and Maizy Vantos. We filmed everything in Spain, in Tenerife, and it was an incredible experience. I’ve already seen a preview, and it looks spectacular. I had always wanted to work in Spain, and I completely fell in love with the process there—it was such an enriching experience, and I definitely want to go back.
Now, let’s talk about your dreams. Is there an actor or director you’d love to work with?
Here’s a fun fact: in 2013, I did a couple of interviews where they asked me this same question. I had completely forgotten about them, but in 2022, I found them again and saw that my answer back then was Alejandro González Iñárritu—I would have loved to work with him.
Now, there are so many people I’d love to collaborate with. I think at the top of my list is Tim Burton—I love his work. Also Guillermo del Toro… honestly, there are too many to name!
As Fabiola Guajardo shared in our exclusive conversation, portraying Gloria meant stepping into the shoes of a woman both fiercely determined and emotionally layered—a character with undeniable strength yet profound vulnerability, making this Telemundo super series a must-watch.
Watch Fabiola as Gloria Guzmán in La Jefa’ (Credit: Telemundo)
‘La Jefa’ is an intense drama about love, loss, and survival. Gloria, a successful mother and bride-to-be, has it all—until her wedding day ends in tragedy when her fiancé is murdered. Stripped of her wealth, reputation, and support, she finds herself on the run, pursued by dangerous enemies. With no way out, she is drawn into the world of money laundering, relying on her wit and charm to protect her son and reclaim her life. Don’t miss Fabiola’s powerful performance, now streaming on Telemundo.
CREDITS:
Photography: Pepe Molina Makeup: Carlos Morales & Assistant Gerardo Lanuza Styling: Danilo Salazar Deputy Editor: Andrea Perez Fashion Editor: Chiara Primatesta Interview: Alex Ocana Production by Telemundo PR: Ana Echenique