Isabela Merced is ready for the holidays. The actress and singer is sharing a new song and music video that’s in tune with the festive season, when the weather begins to drop and we’re all on the hunt for some last-minute romance. The video represents the first time she’s directed and produced one of her projects, marking an important step forward in her extensive career as an artist.
“Cuffing Season” is Merced’s latest single, written by her and Phil Simmonds, and available to stream on all major platforms. The song is a playful ode to the holidays and to the phenomenon of last-minute romances that tend to crop up during this time of the year.
It’s a single that flexes her skills as an artist that can’t be boxed into any category.
“I was in a situation at the time, or I was sort of knowingly falling into a situation with somebody that I knew wasn’t gonna go anywhere,” said Merced in a phone interview with HOLA!
The video matches the playful spirit of the song, shot in an elegant black-and-white style reminiscent of old-school holiday classics. Merced stuns in a simple yet elegant dress accessorized with gorgeous jewelry, as she performs the song on the stage, lit by a dramatic spotlight.
The outcome is a project that highlights Merced’s strength as an artist; someone with an effortless blend of old-school charm and modernity, making fun music that blends pop and jazz.
Watch the video premiere here
Isabela adds a new song to her holiday catalog
“Cuffing Season” marks Merced’s second holiday song. In 2020, she released “Caliente Navidad,” a blend of her American and Peruvian roots in both lyrics and rhythm. She was also featured in the record “Feliz Christmas,” which includes Latin music icons like Luis Fonsi.
Some of her standout musical work includes the single “Papi,” released in 2019, which received critical acclaim and has over 23 million streams on Spotify as of this writing. The following year she released her bilingual EP “the better half of me,” which features all manner of genres and collaborations, including the duets “My Only One” with Sebastian Yatra and “Don’t Go” with Danna Paola.
You can check out our full conversation below, where we discussed making music, the difference between acting and singing, and some of her wishes for the coming year.
Can you tell me a bit about writing ‘Cuffing Season’ and why you wanted to make something for the holidays?
This was one of my first sessions with my producer Phil Simmonds. I was in a situation at the time, or I was sort of knowingly falling into a situation with somebody that I knew wasn’t gonna go anywhere. And I was talking to my friend about it and she was like, ‘Well, it’s cuffing season.’ And I was like, ‘You know what? You’re absolutely right. Why am I feeling guilty about this when, when the weather gets cold, we just want somebody to cuddle and bring to Christmas dinners and Friendsgivings? (laughs).’
I think it’s becoming more of a prominent thing, you know, that five-month fever that starts in November and ends around Valentine’s Day. I wanted to be self-aware in my writing and admit my human tendency to be a hypocrite in a lyrical format, with cute melodies.
I pictured myself the whole time singing it at a dive bar as if I were a jazz singer. That was the mental picture I created that allowed me to write this in a short span of time. The music video ended up depicting the vision that I had in my head.
And I actually ended up playing this song for the person that it was about! I didn’t know what their reaction would be. I just wanted to see what they thought and they actually really liked it (laughs). Either they didn’t know the song was about them or they didn’t care. Sometimes it’s nice to know that you’re trying to find someone to be less lonely with and the other person agrees.
Can you tell me about the process of making the video?
I wanted to get this out as quickly as possible. My manager texted me like, ‘Hey, do you wanna release a song?’ And I was like, ‘You know what? Yeah.’ I’m a little scared to have this much freedom because I’m no longer with a label. That much freedom scared me, which is funny. So I was like, ‘Yeah, you know what, let’s soft launch with a good holiday song,’ because I tend to release songs around the holidays for the past few years.
It took like two days to plan this whole video and we had a much lower budget than I was used to before. My co-director came in so clutch with his team and he was like ‘What do you want?’. And I told him my vision, showed him my inspiration pictures. I consulted with my film friends, because being in the film world, I wanted this to be high quality. I pulled a lot of strings and used a lot of relationships that I’ve built and cultivated.
I wanted to play with shadows because in black and white it’s harder to keep people’s interest. We had to be clever with that. So I referenced a lot of film noir to emphasize light and take the viewer’s eye where it needs to go instead of presenting something overstimulating. The simplicity allowed me to stay within budget.
I was reading a bit about your career and you started on Broadway. You did “Evita” with Ricky Martin, which is so cool. You’ve been singing and acting this whole time. How do you balance both?
I think my relationship with music has changed and so has my relationship with acting, but it’s truly about loving them both and committing to one being more of a job and the other being more of a hobby. Because I don’t wanna… I don’t wanna keep the cyclical trend of having two jobs, because that’s what my parents did. I don’t wanna be hustling that hard. I saw how much that stressed them out, and I want to be easier on myself and every day I’m trying.
For me now, music has turned into something that I want to be fun and not that serious. I didn’t study music. I didn’t go anywhere professionally to figure it out. I’ve just been figuring it out and doing it when I feel like it. And it’s been really rewarding because, as an actor, you don’t get that much creative freedom. And now I got to practice my directing skills as well, and my producing skills with this music video, because I had a vision. I had a team and we all executed it and I’m really proud of it. And for this to be my first solo endeavor is really exciting. I want the world to see it so that they can witness how much I’ve progressed.
Next year you’re starring in “The Last of Us.” What does it feel like to be a part of something that’s kind of one of those rare cultural moments that everyone makes the time for and wants to be a part of?
I’ve never… I keep saying I haven’t been a part of something like this, but I’m constantly reminded that “Alien” had a huge fan base and those people really welcomed “Romulus” as their own. They welcomed it into the “Alien” world with open arms. It’s been really cool.
I got to feel some of the energy of the core audience at the Game Awards last night. I was with Naughty Dog [the developers of ‘The Last of Us’ video game] and Shannon Woodward, who played the original Dina [the character that Merced is now playing in the series]. It was very cool to be there when they presented their new game, and the energy was awesome.
Do you have any New Year’s resolutions or things that you’re looking forward to?
I’m looking forward to expanding my music-making abilities and perhaps releasing more. Another goal I have is probably to just keep my head on straight and handle everything that’s coming up with grace.
This interview has been condensed and edited for clarity.