Niall Horan is not worried about turning 30. The singer-songwriter, who famously devoted a portion of his youth to One Direction, will be crossing that threshold later this year, and he wrestles with maturity in “Never Grow Up,” one of the best tracks on his upcoming album, The Show: “I hope we still dance like we’re falling in love/ Hope we still drink like we’re back in the pub/ Hope we grow old, but we never grow up.”
“I don’t care anymore,” he says of the impending milestone, chatting with Consequence over Zoom. “We speak about what happens from 16 to 20, and 20 to 24, but more actually happens between 25 and 30 than I thought. Your interests change, and things happen in your life — the kind of things you write about.”
According to Horan, it’s a “lovely day in London town” when we speak a few weeks prior to the release of The Show, out June 9th. He comes across as easygoing, humble, and grounded, but also seems very excited to talk about his music. The album’s two pre-release singles, “Heaven” and “Meltdown,” have provided listeners with their first window into The Show, an album that plays like a natural extension of his previous two full-length efforts.
It’s the hope of most artists that each project is their favorite to date, and the vocalist confirms that his personal anticipation for this release is high. “I feel like I’ve got my best work here,” he notes. “If you don’t back yourself, who’s going to back you?”
The Show‘s 10 tracks were developed with some of Horan’s trusted collaborators. He reveals that part of the project was written in Nashville, Tennessee — “What a town,” he says with a smile, shaking his head. He tries to make a visit to Music City at least once a year, he explains, and “Never Grow Up” was one of the songs that came from his time at Starstruck Studios, located on a block lined with songwriting houses, labels, and publishing companies.
“Never Grow Up” was co-written with Julian Bunetta, John Ryan, and Shane McAnally, the last of whom is one of Nashville’s true producing and songwriting gems. The sonic landscape of the song, and most others on The Show, is where Horan seems to be particularly comfortable, surrounded by acoustic guitar, truthful lyrics, and a reliable drum beat.