Vangelis, the Greek electronic composer who wrote the unforgettable Academy Award-winning score for the film “Chariots of Fire” and music for dozens of other movies, documentaries and TV series, has died at 79.
Greek Prime Minister Kyriakos Mitsotakis and other government officials expressed their condolences Thursday. Greek media reported that Vangelis — born Evangelos Odysseas Papathanassiou — died in a French hospital late Tuesday.
“Vangelis Papathanassiou is no longer among us,” Mitsotakis tweeted.
The opening credits of “Chariots of Fire” roll as several young runners progress in slow motion across a glum beach in Scotland while a lazy, beat-backed tune rises to a magisterial declamation. It’s one of the most instantly recognizable musical themes in cinema — and its standing in popular culture has only been confirmed by the host of spoofs it has sired.
The 1981 British film made Vangelis famous, but his initial encounter with success came with his first Greek pop band in the 1960s.
He evolved into a one-man quasi-classical orchestra, using a vast array of electronic equipment to conjure up his enormously popular undulating waves of sound. A private, humorous man — burly, with with shoulder-length hair and a trim beard — he quoted ancient Greek philosophy and saw artists as conduits for a basic universal force. He was fascinated by space exploration and wrote music for celestial bodies, but said he never sought stardom himself.
Still, a micro-planet spinning somewhere between Mars and Jupiter — 6354 Vangelis — will forever bear his name.
Born on March 29, 1943, near the city of Volos in central Greece, Vangelis started playing the piano at 4, although he had no formal training and claimed he never learned to read music.
“Orchestration, composition — they teach these things in music schools, but there are some things you can never teach,” he said in a 1982 interview. “You can’t teach creation.”
At 20, Vangelis and three friends formed the band Forminx in Athens, which did very well in Greece. After it disbanded, he wrote scores for several Greek films and later became a founding member of Aphrodite’s Child with another later-to-be internationally famous Greek musician, Demis Roussos. Based in Paris, the progressive rock group produced several European hits, and their final record “666,” released in 1972, is still highly acclaimed.
Aphrodite’s Child also broke up, and Vangelis pursued solo projects. In 1974, he moved to London, built his own studio and cooperated with Yes frontman Jon Anderson, with whom he recorded under the name Jon and Vangelis and had several hits.
But his huge breakthrough came with the score for “Chariots of Fire,” which told the true story of two British runners competing in the 1924 Summer Olympics in Paris. Vangelis’ score earned one of the four Academy Awards the film won, including best picture. The signature piece is one of the most memorable movie tunes worldwide — and has also served as the musical background to endless slow-motion parodies.
Vangelis later wrote scores for Ridley Scott’s “Blade Runner” and “1492: Conquest of Paradise,” as well as for “Missing” and “Antarctica,” among others.
He refused many other offers for film scores, saying in an interview: “Half of the films I see don’t need music. It sounds like something stuffed in.”
Vangelis was wary of how record companies handled commercial success. With success, he said, “you find yourself stuck and obliged to repeat yourself and your previous success.”
His interest in science — including the physics of music and sound — and space exploration led to compositions linked with major NASA and European Space Agency projects. When British theoretical physicist Stephen Hawking died in 2018, Vangelis composed a musical tribute for his interment that the ESA broadcast into space.
Vangelis brought forth his symphonic swells playing alone on a bank of synthesizers, while flipping switches as his feet darted from one volume pedal to another.
“I work like an athlete,” he once said.
He avoided the lifestyle excesses associated with many in the music industry, saying that he never took drugs — “which was very uncomfortable, at times.”
The composer lived in London, Paris and Athens, where he bought a house at the foot of the Acropolis. Vangelis received many awards in Greece, France and the U.S. Little was known of his personal life other than he was an avid painter.
“Every day I paint and every day I compose music,” he said. “In that order.”